Five surimono, called "printed things," consist of this image: women gathering sea life during low tide. Above the scene, ten poems are inscribed. Nine of these poems include the words "low tide." The last poem describes abalone as a precious jewel.
Five surimono 刷物, privately commissioned prints known literally as "printed things," make up this image of women collecting sea life at low tide. Ten poems written by members of a poetry salon appear across the upper part of the composition. All but one contain the words "low tide," with the remaining poem describing abalone as a sought-after jewel.
View the original at Cleveland Museum of Art →Article 1 describes the Ainu as the indigenous people of the northern part of the Japanese archipelago and of Hokkaido in particular, and cites international circumstances concerning indigenous peoples as a reason for acting. It requires the government to set a basic policy, and lets municipalities draw up regional plans for approval by the Prime Minister.
The cool part. The definition in Article 2 is the part to sit with. Ainu culture means the Ainu language, and the ways of living, music, dance, crafts and other cultural products inherited among the Ainu, and cultural products developed from these. That final clause refuses to freeze the culture at a date, and treats what is made next as equally the thing being protected. The Act then reaches into trademark law, reducing or waiving registration fees for regional collective trademarks used by approved projects.
Verify at e-Gov 法令検索 →Use it Take the ratio, not the picture. It sets a page better than a grid does.
Description source: museum curator text, translated — not generated