Before entering into his apprenticeship with Yohei II, Seifū Yohei III trained as a painter in Osaka. He continued to paint throughout his career as a ceramist. As part of his ceramic practice, Yohei III also made roller ends to be placed at either end of the wooden dowel around which the lower part of a hanging scroll mounting is wrapped. These served both as weights for the painting and as knobs for handling it when rolling and unrolling. The pair here is made of porcelain with a green glaze.
View the original at Cleveland Museum of Art →It protects not the buildings but the setting that holds them. Article 2 defines historic landscape as land where structures and remains of historical significance form a single whole with the surrounding natural environment, which is the legal way of saying the hills, the approaches and the sightlines. The ancient capitals are Kyoto, Nara and Kamakura, plus any other municipality added by Cabinet Order. The Minister of Land, Infrastructure, Transport and Tourism designates a preservation area; city planning then carves a Special Preservation District over its core, and inside that district an owner needs permission from the prefectural governor to build, to fell timber, or to change the shape of the ground.
The cool part. It legislates the view, and then it pays for it. Article 10 requires the prefecture to compensate an owner who suffers loss because permission was refused. Article 12 goes further: where refusal seriously impairs the use of the land, the owner can require the prefecture to buy it, at market value. So the state does not merely tell you what the horizon behind a temple may look like. It agrees to purchase the land rather than let the skyline change. Two more things worth knowing. The prefecture must physically sign the district boundary, and a landowner may not obstruct the sign without just cause. And the ministry holding the pen is Transport, not Culture.
Verify at e-Gov 法令検索 →Use it Two-colour foil on uncoated stock gets you most of this at production cost.
Description source: museum curator text — not generated
