Huang Goodman · Art Forgotten

Art Forgotten

Art from public museum collections. A mismatched real Japanese law, and some other factoids.

Every object, image and description comes from the museum's own catalogue record, and every object links to its original. Japanese records are machine-translated into English; the museum's Japanese is kept beside the translation because it is the authoritative form. Each law carries its official number and links to e-Gov 法令検索, the Japanese government's statute database.

Lid for a Teapot with Chrysanthemum Motifs
{Lid for a Teapot with Chrysanthemum Motifs · Seifū Yohei III (Japanese, 1851–1914) · 1912–14 · Cleveland Museum of Art · CC0}

This side-handled sencha teapot has the lid flush against the body, forming an oblong orb. It is decorated with a sprinkling of similar chrysanthemum motifs in red, green, and purple overglaze color enamels with centers of pale red dotted with gold.

View the original at Cleveland Museum of Art →
The law
博物館法
Museum Act
昭和二十六年法律第二百八十五号 · Act No. 285 of 1951

Article 2 defines a museum as an institution that collects, keeps and displays materials on history, art, folklore, industry and natural science for public use, carries out research on them, and which has been registered under Chapter 2 of this Act. The registration is not decorative. In law, an unregistered collection open to the public is not a museum.

The cool part. The definition of keeping is given as including raising. That single parenthesis is why a zoo, an aquarium and a botanical garden sit inside museum law in Japan: the collection is allowed to be alive. Article 1 also grounds the statute in the Social Education Act and the Basic Act on Culture and the Arts, which places museums in education first and culture second.

Verify at e-Gov 法令検索 →

Use it Two-colour foil on uncoated stock gets you most of this at production cost.

Description source: museum curator text — not generated