These maple leaf–shaped saucers, like Yohei III's five shell saucers CMA 2022.188, have a long, horizontal box with a separate compartment for each piece. Now a set of five, these dishes were originally a set of ten, stored in two boxes of five each. From their housings, which accommodate differing numbers of objects, one can hypothesize that while some items created by the Seifu studio were intended to be acquired in larger sets, and thus were perhaps made to order, others, like these, may have been items to be purchased of the shelf in set quantities that allowed clients flexibility in scale. The box for these five saucers describes them as “heavenly blue[–glazed] porcelain” (tenseiji). The veins of the leaves are slightly raised in the clay so that the glaze pools around them and they stand out as white where the glaze thins. There are longer lines at the points of the leaves and shorter ones following the wall of each indentation so that the design has both a horizontal and a subtle vertical dimension.
View the original at Cleveland Museum of Art →Article 1 states the aim as a beautiful and dignified national land, and it covers not only cities but farming, mountain and fishing villages. Inside a landscape planning area, Article 16 requires advance notification of new building, extension, rebuilding, relocation, and any repair or alteration that changes the exterior. Landscape Districts go further and impose direct restrictions on the form and design of buildings.
The cool part. Read Article 16 to the end of the sentence. A change of colour is listed alongside new construction as an act you must notify. Repainting your building is, in law, the same category of event as putting up a new one. This is the machinery behind the muted shopfronts of Kyoto. The brown coffee-shop sign is not a marketing choice, it is compliance.
Verify at e-Gov 法令検索 →Use it Palette for a single-colour run: one ink, heavy stock, nothing else on the sheet.
Description source: museum curator text — not generated