These maple leaf–shaped saucers, like Yohei III's five shell saucers CMA 2022.188, have a long, horizontal box with a separate compartment for each piece. Now a set of five, these dishes were originally a set of ten, stored in two boxes of five each. From their housings, which accommodate differing numbers of objects, one can hypothesize that while some items created by the Seifu studio were intended to be acquired in larger sets, and thus were perhaps made to order, others, like these, may have been items to be purchased of the shelf in set quantities that allowed clients flexibility in scale. The box for these five saucers describes them as “heavenly blue[–glazed] porcelain” (tenseiji). The veins of the leaves are slightly raised in the clay so that the glaze pools around them and they stand out as white where the glaze thins. There are longer lines at the points of the leaves and shorter ones following the wall of each indentation so that the design has both a horizontal and a subtle vertical dimension.
View the original at Cleveland Museum of Art →Article 1 sets a purpose larger than preservation: to preserve cultural properties AND to make use of them, contributing to the cultural advancement of the people and to the progress of world culture. Article 4 turns that outward. An owner must recognise the object as a precious national asset, preserve it for the public, and make it public as far as possible. Ownership here carries a duty to show.
The cool part. "Living National Treasure" appears nowhere in the statute. Article 71 requires that when an Important Intangible Cultural Property is designated, the minister must also certify its holder or holding group. Japan does not register the pot, it registers the potter. Article 96 is the one that reaches ordinary people: if you uncover a shell mound, a dwelling site or a tumulus, you must leave it exactly as it is and notify the Commissioner for Cultural Affairs without delay, and the Commissioner can freeze the ground for up to three months.
Verify at e-Gov 法令検索 →Use it Two-colour foil on uncoated stock gets you most of this at production cost.
Description source: museum curator text — not generated