Yohei IV chose an aquatic theme for this mizusashi. He applied clay to the surface and molded the shape of a large conch on one side and, on the other, a clam and a scallop. The finer details he incised into the surface of his low-relief shapes. He then painted seaweed as though it were coming out from behind the sea creatures, and he further set off the animals using a masking technique with a gradated blue surround. Finally, he applied a translucent blue glaze, identified on the box as mizusai, over the entire body of the vessel. The resulting effect is that one imagines having descended through the water to the ocean floor.
View the original at Cleveland Museum of Art →Article 3 tells libraries what to gather, and the list is wider than books: local materials, local administrative records, works of art, records and film. Article 3 also requires interlibrary lending, travelling collections and mobile libraries, so that the holdings move toward the reader rather than waiting.
The cool part. Article 17 is one sentence and admits nothing. A public library may not collect an admission fee, or any consideration whatsoever, for the use of library materials. Free is not a policy that a budget round can revisit, it is the statute. Article 26 is stranger still: the state and local authorities must not interfere in the work of a private library, and must not give it a subsidy. Independence is protected by withholding the money.
Verify at e-Gov 法令検索 →Use it Palette for a single-colour run: one ink, heavy stock, nothing else on the sheet.
Description source: museum curator text — not generated