Yohei IV chose an aquatic theme for this mizusashi. He applied clay to the surface and molded the shape of a large conch on one side and, on the other, a clam and a scallop. The finer details he incised into the surface of his low-relief shapes. He then painted seaweed as though it were coming out from behind the sea creatures, and he further set off the animals using a masking technique with a gradated blue surround. Finally, he applied a translucent blue glaze, identified on the box as mizusai, over the entire body of the vessel. The resulting effect is that one imagines having descended through the water to the ocean floor.
View the original at Cleveland Museum of Art →Article 1 states the purpose plainly: prevent trade in stolen goods, find them quickly, and speed the recovery of victims. Article 2 then defines a used article to include, in the same breath, art objects held for appreciation. Dealing in them requires a licence.
The cool part. Article 16 requires a dealer to record every transaction: the date, the item and quantity, its distinguishing features, and the address, name, occupation and age of the other party. Article 15 requires that a dealer who suspects an item is stolen report it to a police officer immediately. So the antique trade runs on a register the police may read, and a painting becomes a second-hand article the moment it has been used once.
Verify at e-Gov 法令検索 →Use it Take the ratio, not the picture. It sets a page better than a grid does.
Description source: museum curator text — not generated