In China, the chrysanthemum was historically appreciated for its association with the Double Nine Festival and the reclusive life of the poet Tao Yuanming (AD 365-427). In Japan, the 16-petaled chrysanthemum came to symbolize the Japanese imperial family after Emperor Gotoba (1180-1239) chose the m…
View the original at Cleveland Museum of Art →A statute whose entire purpose is to coax privately held work onto public walls, by making it materially easier for an owner to lend than to hoard.
The cool part. It is a tax instrument wearing a culture ministry coat. Japan concluded the barrier to seeing art was never storage. It was ownership.
Verify at e-Gov 法令検索 →Use it Palette for a single-colour run: one ink, heavy stock, nothing else on the sheet.
Description source: museum curator text — not generated
