During the Heian period, around the middle, an event unfolded in the province of Mutsu (currently in the Tohoku region). A scene of Abe O-no-miyasada presenting horses and gold to Yasuna-no-o no Yasuaki, the governor of the provincial office, is depicted. This was triggered by the horse injury incident at the Akuyu River. The turning point for Yasuna-no-o Yasuaki and Abe O-no-miyasada to engage in a decisive battle is preserved. The main characters are named, and each has a distinctive expression.
平安時代中期、陸奥で起こった前九年の役を描く。安倍頼時が鎮守府将軍源頼義に駿馬金銀を献上し恭順を誓う場面、阿久利河での人馬殺傷事件をきっかけに頼義・頼時が決裂し合戦へと至る発端部分が残る。主要人物には名を付し、それぞれの表情も個性に富む。
View the original at Japan Search →Article 2 defines a museum as an institution that collects, keeps and displays materials on history, art, folklore, industry and natural science for public use, carries out research on them, and which has been registered under Chapter 2 of this Act. The registration is not decorative. In law, an unregistered collection open to the public is not a museum.
The cool part. The definition of keeping is given as including raising. That single parenthesis is why a zoo, an aquarium and a botanical garden sit inside museum law in Japan: the collection is allowed to be alive. Article 1 also grounds the statute in the Social Education Act and the Basic Act on Culture and the Arts, which places museums in education first and culture second.
Verify at e-Gov 法令検索 →Use it A motif small enough to blind-deboss, which is where restraint actually shows.
Description source: museum curator text, translated — not generated