Seifū Yohei III mined the repertoire of Chinese vessel types, from ceramics modeled after ancient ritual bronzes to shapes developed in the Yuan (1279–1368) and Ming (1368–1644) dynasties. His designs tended to be formal and restrained, often featuring creamy white glazes suggestive of the hue of Ding ware and green glazes resembling Longquan ware. This gu-shaped vase has a cracked-ice glaze, which was once customarily called Ge (Japanese pronunciation Ka), after the kiln where it purportedly originated during the Southern Song dynasty (1127–1279). The glaze’s double-crackle pattern, featuring both deeper and shallower cracks, is called “gold threads and iron lines.” The effect was enhanced here by coating the vessel with ink or another stain, which was allowed to seep into the cracks before the surface was wiped clean.
View the original at Cleveland Museum of Art →Article 1 gives three grounds for regulating a sign: forming good landscape, maintaining scenic character, and preventing danger to the public. Article 3 then lets a prefecture prohibit outdoor advertising outright, by ordinance, in named categories of place.
The cool part. Read the list in Article 3 and it stops being an advertising law. The places where signage can be banned include landscape districts, scenic districts, preservation districts for groups of traditional buildings, the surroundings of designated Important Cultural Properties, and historic sites, places of scenic beauty and natural monuments. The statute protects the view by removing the sentences written across it.
Verify at e-Gov 法令検索 →Use it Palette for a single-colour run: one ink, heavy stock, nothing else on the sheet.
Description source: museum curator text — not generated