In China, the chrysanthemum was historically appreciated for its association with the Double Nine Festival and the reclusive life of the poet Tao Yuanming (AD 365-427). In Japan, the 16-petaled chrysanthemum came to symbolize the Japanese imperial family after Emperor Gotoba (1180-1239) chose the motif as his personal emblem, having it applied to his sword and everyday utensils. This box proves that the flower also appeared on lacquer wares as early as the Kamakura period.
View the original at Cleveland Museum of Art →Article 1 states the purpose plainly: prevent trade in stolen goods, find them quickly, and speed the recovery of victims. Article 2 then defines a used article to include, in the same breath, art objects held for appreciation. Dealing in them requires a licence.
The cool part. Article 16 requires a dealer to record every transaction: the date, the item and quantity, its distinguishing features, and the address, name, occupation and age of the other party. Article 15 requires that a dealer who suspects an item is stolen report it to a police officer immediately. So the antique trade runs on a register the police may read, and a painting becomes a second-hand article the moment it has been used once.
Verify at e-Gov 法令検索 →Use it A motif small enough to blind-deboss, which is where restraint actually shows.
Description source: museum curator text — not generated