Late in his career, Hiroshige explored the poetic theme of setsugekka, “snow, moon, and flowers,” in a set of three triptychs. This panoramic scene shows the autumn moon over Kanazawa, near Tokyo. Hiroshige’s contemporaries would have recognized the coastline dotted with villages, fishing boats, and the distinctive double-arched bridge at the bottom right.
View the original at Cleveland Museum of Art →A craft cannot call itself traditional by taste or reputation. Article 2 sets five conditions, all of which must hold: it is used mainly in daily life, the main part of its making is by hand, it is made by traditional techniques, it is made chiefly from materials traditionally used, and a not-small number of people in a defined area still make it. The designation names the techniques, the materials and the region.
The cool part. Two conditions do quiet work. The first is daily use, so a technique kept alive only for display does not qualify. The fifth is the number of makers: the law will not protect a single surviving genius, because one person is a biography and not an industry. And because the region is written into the designation, the craft is legally attached to a place and cannot move.
Verify at e-Gov 法令検索 →Use it Take the ratio, not the picture. It sets a page better than a grid does.
Description source: museum curator text — not generated