This set of two folding-albums comprises a collection of calligraphies and paintings produced by Japanese artists over a long span of time. Those whose works are represented in the albums were all deeply interested in Chinese culture. They were especially attracted to the idea they found in Chinese society of a community of educated friends who shared works in prose, poetry, and painting among one another through correspondence or gatherings. The covers of both albums are inscribed and sealed by an individual who assembled their contents for posterity.
View the original at Cleveland Museum of Art →Article 1 describes the Ainu as the indigenous people of the northern part of the Japanese archipelago and of Hokkaido in particular, and cites international circumstances concerning indigenous peoples as a reason for acting. It requires the government to set a basic policy, and lets municipalities draw up regional plans for approval by the Prime Minister.
The cool part. The definition in Article 2 is the part to sit with. Ainu culture means the Ainu language, and the ways of living, music, dance, crafts and other cultural products inherited among the Ainu, and cultural products developed from these. That final clause refuses to freeze the culture at a date, and treats what is made next as equally the thing being protected. The Act then reaches into trademark law, reducing or waiving registration fees for regional collective trademarks used by approved projects.
Verify at e-Gov 法令検索 →Use it A motif small enough to blind-deboss, which is where restraint actually shows.
Description source: museum curator text — not generated