This album's title indicates that Tsubaki Chinzan created each landscape depicted within, inspired by the styles of Chinese artist Zhai Dakun (active 1730-1804). Alongside the painted scenes, he also replicated the inscriptions found on Zhai Dakun's original works.
As the title of this album suggests, Tsubaki Chinzan painted each of the landscapes included in the album after interpretations of the styles of old masters by Chinese painter Zhai Dakun (翟大坤, active 1730–1804). In addition to the painted compositions, he also copied the inscriptions on Zhai Dakun's paintings.
View the original at Cleveland Museum of Art →A statute built to coax privately held work onto public walls. An owner registers a piece with the Commissioner for Cultural Affairs, then contracts with a museum to display it. Article 2 defines a work of art broadly, as paintings, sculpture, crafts and other tangible cultural products that are movable, which is the legal way of saying anything you could carry out of the house.
The cool part. The terms are the interesting part. Article 2 requires the public display contract to run for five years or more, and to contain a clause stating that the parties may not give notice of cancellation. You cannot lend a masterpiece for the tax treatment and then reclaim it when the market turns. Japan concluded the barrier to seeing art was never storage. It was ownership, and the fix was a contract you cannot walk out of.
Verify at e-Gov 法令検索 →Use it Take the ratio, not the picture. It sets a page better than a grid does.
Description source: museum curator text, translated — not generated