Composed of a number of hollowed-out pieces of wood that were then covered with lacquer and gilding, this sculpture served as an image of worship in one of the small temples surrounding Kōfukuji, a major Buddhist temple in Nara, Japan. Like many Buddhas, this figure has its right hand positioned in a gesture meaning "fear not." The left hand is a replacement, so its original gesture, a clue to this Buddha's identity, is unknown. However, as the left foot is exposed over the garment, in lotus position, it may have been created as a Medicine Master Buddha, Yakushi Nyorai in Japanese, or the Buddha of our era, Shakyamuni.
View the original at Cleveland Museum of Art →Article 1 sets a purpose larger than preservation: to preserve cultural properties AND to make use of them, contributing to the cultural advancement of the people and to the progress of world culture. Article 4 turns that outward. An owner must recognise the object as a precious national asset, preserve it for the public, and make it public as far as possible. Ownership here carries a duty to show.
The cool part. "Living National Treasure" appears nowhere in the statute. Article 71 requires that when an Important Intangible Cultural Property is designated, the minister must also certify its holder or holding group. Japan does not register the pot, it registers the potter. Article 96 is the one that reaches ordinary people: if you uncover a shell mound, a dwelling site or a tumulus, you must leave it exactly as it is and notify the Commissioner for Cultural Affairs without delay, and the Commissioner can freeze the ground for up to three months.
Verify at e-Gov 法令検索 →Use it Two-colour foil on uncoated stock gets you most of this at production cost.
Description source: museum curator text — not generated