Composed of a number of hollowed-out pieces of wood that were then covered with lacquer and gilding, this sculpture served as an image of worship in one of the small temples surrounding Kōfukuji, a major Buddhist temple in Nara, Japan. Like many Buddhas, this figure has its right hand positioned in a gesture meaning "fear not." The left hand is a replacement, so its original gesture, a clue to this Buddha's identity, is unknown. However, as the left foot is exposed over the garment, in lotus position, it may have been created as a Medicine Master Buddha, Yakushi Nyorai in Japanese, or the Buddha of our era, Shakyamuni.
View the original at Cleveland Museum of Art →It protects not the buildings but the setting that holds them. Article 2 defines historic landscape as land where structures and remains of historical significance form a single whole with the surrounding natural environment, which is the legal way of saying the hills, the approaches and the sightlines. The ancient capitals are Kyoto, Nara and Kamakura, plus any other municipality added by Cabinet Order. The Minister of Land, Infrastructure, Transport and Tourism designates a preservation area; city planning then carves a Special Preservation District over its core, and inside that district an owner needs permission from the prefectural governor to build, to fell timber, or to change the shape of the ground.
The cool part. It legislates the view, and then it pays for it. Article 10 requires the prefecture to compensate an owner who suffers loss because permission was refused. Article 12 goes further: where refusal seriously impairs the use of the land, the owner can require the prefecture to buy it, at market value. So the state does not merely tell you what the horizon behind a temple may look like. It agrees to purchase the land rather than let the skyline change. Two more things worth knowing. The prefecture must physically sign the district boundary, and a landowner may not obstruct the sign without just cause. And the ministry holding the pen is Transport, not Culture.
Verify at e-Gov 法令検索 →Use it The border is the idea. Use it as an edge treatment and leave the centre empty.
Description source: museum curator text — not generated