This album's title reflects that Tsubaki Chinzan created each landscape depicted within, inspired by the styling of Chinese artist Zhai Dakun (active 1730-1804). Besides painting the compositions, he also copied the inscriptions found on Zhai Dakun's original works.
As the title of this album suggests, Tsubaki Chinzan painted each of the landscapes included in the album after interpretations of the styles of old masters by Chinese painter Zhai Dakun (翟大坤, active 1730–1804). In addition to the painted compositions, he also copied the inscriptions on Zhai Dakun's paintings.
View the original at Cleveland Museum of Art →Article 1 describes the Ainu as the indigenous people of the northern part of the Japanese archipelago and of Hokkaido in particular, and cites international circumstances concerning indigenous peoples as a reason for acting. It requires the government to set a basic policy, and lets municipalities draw up regional plans for approval by the Prime Minister.
The cool part. The definition in Article 2 is the part to sit with. Ainu culture means the Ainu language, and the ways of living, music, dance, crafts and other cultural products inherited among the Ainu, and cultural products developed from these. That final clause refuses to freeze the culture at a date, and treats what is made next as equally the thing being protected. The Act then reaches into trademark law, reducing or waiving registration fees for regional collective trademarks used by approved projects.
Verify at e-Gov 法令検索 →Use it Two-colour foil on uncoated stock gets you most of this at production cost.
Description source: museum curator text, translated — not generated