The part on the right of the screen painting called 'Byobu-e Extracted from the Collection of Longinus Fukuda at Kamigano,' is recognizable as a copy of the Flower Viewing Scroll screen painting that was burnt in Taisho 12th year. The person who made the copy worked as the head of the art section at the Imperial Museum in Tokyo and took a cane from Tokyo Art School. It is likely that this painting was created for the Special Exhibition of the Meiji 44th year.
「狩野長信筆屏風絵抜写 原六郎蔵」と記されており、大正12年に焼失した花下遊楽図屏風の右隻の部分模写とわかる。模写した溝口は東京美術学校で教鞭を取り、帝室博物館の美術課長を務めた人物。本図は明治四十四年特別展覧会の折に写された可能性が高い。
View the original at Japan Search →A national statute written for one city. Article 1 recites the beauty of Kyoto and its historically, culturally and artistically important position in the world, and gives two purposes: to raise international culture and serve the ideal of permanent world peace, and to contribute to the economic recovery of Japan. It was passed five years after the war ended.
The cool part. Article 3 lets Kyoto designate culture tourism preservation districts and, by ordinance, prohibit building, rebuilding, removal, changes to the shape of the land and the cutting of bamboo, trees and stone, with compensation for ordinary loss. Then Article 4 does something statutes almost never do. It places a duty on the mayor personally: in the spirit of local autonomy, and with the cooperation of residents, the mayor must engage in ceaseless activity to complete the city. Nara received its own Act, number 250, the day before.
Verify at e-Gov 法令検索 →Use it Take the ratio, not the picture. It sets a page better than a grid does.
Description source: museum curator text, translated — not generated