On the right side, there are horses gathered in a cozy group under a cherry blossom tree, depicting the scene of spring. On the left side, there are deer resting under a tree with red leaves, representing the scenery of autumn. The artist was born in Niigata, studied in Edo and Kyoto, and absorbed techniques from various schools such as Tosa and Kano. He established his own painting style. In 1744 (Enkyo), it is recorded that he received the painting "Wadatsumi Aka-iro-zu" (designated cultural asset of Niigata Prefecture, Uji Art Museum) as a gift from the young lord of the pool, Ikeda, when he returned to Niigata from Kyoto.
右隻には春の景色として桜の大樹の下でのどかに集う馬たちの姿を、左隻には秋の景色として紅葉の樹の下で憩う鹿たちの姿を描いています。作者は新潟に生まれ、江戸、そして京都を遊学し、土佐派や狩野派などの諸派の技術を吸収して自らの画風を確立しました。1744年（延享元）に京都から新潟へ帰郷するに際して、若き日の池大雅から《渭城柳色図》（新潟県指定文化財、敦井美術館蔵）を贈られたことが知られています。
View the original at Japan Search →Article 1 gives three grounds for regulating a sign: forming good landscape, maintaining scenic character, and preventing danger to the public. Article 3 then lets a prefecture prohibit outdoor advertising outright, by ordinance, in named categories of place.
The cool part. Read the list in Article 3 and it stops being an advertising law. The places where signage can be banned include landscape districts, scenic districts, preservation districts for groups of traditional buildings, the surroundings of designated Important Cultural Properties, and historic sites, places of scenic beauty and natural monuments. The statute protects the view by removing the sentences written across it.
Verify at e-Gov 法令検索 →Use it Take the ratio, not the picture. It sets a page better than a grid does.
Description source: museum curator text, translated — not generated