In the space between the first and second parts, a painting of a servant not present in the original work was discovered. The phrase "although not visible in the original, a painting of this servant exists in another template and can be inserted" was found during the process of copying. It is believed that the scene of the servant drawing water for the wife and daughter of Jikimeiro, which should have been in the sixth scroll of the Mansetsu scrolls by Jikimeiro, was replaced with this painting.
第一段と第二段の間に原本にはない厩の図が確認される模本。｢原本には見えないが、別の模本にこの図があるので挿入する｣との模写時の識語(しきご)がある。吉見二郎の妻と娘の慈悲が厩の水を汲む場面とともに、本来は男衾三郎絵巻第六段に位置していたと考えられる。
View the original at Japan Search →A national statute written for one city. Article 1 recites the beauty of Kyoto and its historically, culturally and artistically important position in the world, and gives two purposes: to raise international culture and serve the ideal of permanent world peace, and to contribute to the economic recovery of Japan. It was passed five years after the war ended.
The cool part. Article 3 lets Kyoto designate culture tourism preservation districts and, by ordinance, prohibit building, rebuilding, removal, changes to the shape of the land and the cutting of bamboo, trees and stone, with compensation for ordinary loss. Then Article 4 does something statutes almost never do. It places a duty on the mayor personally: in the spirit of local autonomy, and with the cooperation of residents, the mayor must engage in ceaseless activity to complete the city. Nara received its own Act, number 250, the day before.
Verify at e-Gov 法令検索 →Use it A motif small enough to blind-deboss, which is where restraint actually shows.
Description source: museum curator text, translated — not generated